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The Occult Significance of the Bhagavad Gita
GA 146

28 May 1913, Helsingfors

Lecture I

Tis more than a year since I was able to speak here about those things that lie so deeply on our hearts, those things that we believe must enter more and more into human knowledge because, from our time onward, the human soul will feel increasingly that these things belong to its requirements, to its deepest longings. And it is with great pleasure that I greet you here in this place for the second time, along with all those who have traveled here in order to show in your midst how their hearts and souls are dedicated to our sacred work the whole world over.

When I was able to speak to you here last time we let our spiritual gaze journey far into the wide regions of the universe. This time it will be our task to stay more in the regions of earthly evolution. Our thoughts, however, will penetrate to regions that will lead us nonetheless to the portals of the eternal manifestation of the spiritual in the world. We shall speak about a subject that will apparently lead us far away in time and in space from the here and now. It will not on that account lead us less to what lives in the here and now, but rather to what lives just as much in all times and in all the places of the earth because it will bring us near to the secrets of the eternal in all existence. It will lead us to the ceaseless search of man for the wells of eternity where he may drink for the healing and refreshment of something in him which, ever since they gained understanding of it, men have considered all-powerful in life, namely, love. For wherever we are gathered together we are gathered in the name of the search for wisdom and the search for love. What we seek is extended out into space and can be observed in the far horizon of the Cosmic All, but it can also be observed in the wrestling soul of man wherever he may be. It meets us especially when we turn our gaze to one of those mighty manifestations of the wrestling spirit of man such as are given us in some great work like the one that is to form the basis of our present studies.

We are going to speak of one of the greatest and most penetrating manifestations of the human spirit—the Bhagavad Gita, which, ancient as it is, yet in its foundations comes before us with renewed significance at the present time. A short time ago the peoples of Europe and those of the West generally, knew little of the Bhagavad Gita. Only during the last century has the fame of this wonderful poem extended to the West. Only lately have Western peoples become familiar with this marvelous song. But these lectures of ours will show that a real and deep knowledge of this poem, as against mere familiarity with it, can only come when its occult foundations are more and more revealed. For what meets us in the Bhagavad Gita sprang from an age of which we have often spoken in connection with our anthroposophical studies. The mighty sentiments, feelings and ideas it contains had their origin in an age that was still illumined by what was communicated through the old human clairvoyance. One who tries to feel what this poem breathes forth page by page as it speaks to us, will experence, page by page, something like a breath of the ancient clairvoyance humanity possessed.

The Western world's first acquaintance with this poem came in an age in which there was little understanding for the original clairvoyant sources from which it sprang. Nevertheless, this lofty song of the Divine struck like a wonderful flash of lightning into the Western world, so that a man of Central Europe, when he first became acquainted with this Eastern song, said that he must frankly consider himself happy to have lived in a time when he could become acquainted with the wondrous things expressed in it. This man was not one who was unacquainted with the spiritual life of humanity through the centuries, indeed through thousands of years. He was one who looked deeply into spiritual life—Wilhelm von Humboldt, the brother of the celebrated astronomer. Other members of Western civilization, men of widely different tongues, have felt the same. What a wonderful feeling it produces in us when we let this Bhagavad Gita work upon us, even in its opening verses!

It seems that in our circle, my dear friends, perhaps particularly in our circle, we often have to begin by working our way through to a fully unprejudiced position. For in spite of the fact that the Bhagavad Gita has been known for so short a time in the West, yet its holiness has so taken our hearts by storm, so to say, that we are inclined to approach it from the start with this feeling of holiness without making it clear to ourselves what the starting-point of the poem really is. Let us for once place this before us quite dispassionately, perhaps even a little grotesquely.

A poem is here before us that from the very first sets us in the midst of a wild and stormy battle. We are introduced to a scene of action that is hardly less wild than that into which Homer straightway places us in the Iliad. We go further and are confronted in this scene with something which Arjuna—one of the foremost, perhaps the foremost of the personalities in the Song—feels from the start to be a fratricidal conflict. He comes before us as one who is horror-stricken by the battle, for he sees there among the enemy his own blood relations. His bow falls from his grasp when it becomes clear to him that he is to enter a murderous strife with men who are descended from the same ancestors as himself, men in whose veins flows the same blood as his own. We almost begin to sympathize with him when he drops his bow and recoils before the awful battle between brothers.

Then before our gaze arises Krishna, the great spiritual teacher of Arjuna, and a wonderful, sublime teaching is brought before us in vivid colors in such a way that it appears as a teaching given to his pupil. But to what is all this leading? That is the question we must first of all set before us, because it is not enough just to give ourselves up to the holy teaching in the words of Krishna to Arjuna. The circumstances of its giving must also be studied. We must visualize the situation in which Krishna exhorts Arjuna not to quail before this battle with his brothers but take up his bow and hurl himself with all his might into the devastating conflict. Krishna's teachings emerge amid the battle like a cloud of spiritual light that at first is incomprehensible, and they require Arjuna not to recoil but to stand firm and do his duty in it. When we bring this picture before our eyes it is almost as though the teaching becomes transformed by its setting. Then again this setting leads us further into the, whole weaving of the Song of the Mahabharata, the mighty song of which the Bhagavad Gita is only a part.

The teaching of Krishna leads us out into the storms of everyday life, into the wild confusion of human battles, errors and earthly strife. His teaching appears almost like a justification of these human conflicts. If we bring this picture before us quite dispassionately, perhaps the Bhagavad Gita will suggest to us altogether different questions from those that arise when—imagining we can understand them—we alight upon something similar to what we are accustomed to find in ordinary works of literature. So it is perhaps necessary to point first to this setting of the Gita in order to realize its world-historic significance, and then be able to see how it can be of increasing and special significance in our own time.

I have already said that this majestic song came into the Western world as something completely new, and almost equally new were the feelings, perceptions and thoughts that lie behind it. For what did Western civilization really know of Eastern culture before it became acquainted with the Bhagavad Gita? Apart from various things that have only become known in this last century, very little indeed! If we accept certain movements that remained secret, Western civilization has had no direct knowledge of what is actually the central nerve impulse of the whole of this great poem. When we approach such a thing we feel how little human language, philosophy, ideas, serving for everyday life, are sufficient for it; how little they suffice for describing such heights of the spiritual life of man upon earth. We need something quite different from ordinary descriptions to give expression to what shines out to us from such a revelation of the spirit of man.

I should like first to place two pictures before you so you may have a foundation for further descriptions. The one is taken from the book itself, the other from the spiritual life of the West. This can be comparatively easily understood, whereas the one from the book appears for the moment quite remote. Beginning then with the latter, we are told how, in the midst of the battle, Krishna appears and unveils before Arjuna cosmic secrets, great immense teachings. Then his pupil is overcome by the strong desire to see the form, the spiritual form of this soul, to have knowledge of him who is speaking such sublime things. He begs Krishna to show himself to him in such manner as he can in his true spirit form. Then Krishna appears to him (later we shall return to this description) in his form—a form that embraces all things, a great, sublime, glorious beauty, a nobility that reveals cosmic mysteries. We shall see there is little in the world to approach the glory of this description of how the sublime spirit form of the teacher is revealed to the clairvoyant eye of his pupil.

Before Arjuna's gaze lies the wild battlefield where much blood will have to flow and where the fratricidal struggle is to develop. The soul of Krishna's disciple is to be wafted away from this battlefield of devastation. It is to perceive and plunge into a world where Krishna lives in his true form. That is a world of holiest blessedness, withdrawn from all strife and conflict, a world where the secrets of existence are unveiled, far removed from everyday affairs. Yet to that world man's soul belongs in its most inward, most essential being. The soul is now to have knowledge of it. Then it will have the possibility of descending again and re-entering the confused and devastating battles of this our world. In truth, as we follow the description of this picture we may ask ourselves what is really taking place in Arjuna's soul? It is as though the raging battle in which it stands were forced upon it because this soul feels itself related to a heavenly world in which there is no human suffering, no battle, no death. It longs to rise into a world of the eternal, but with the inevitable force that can come only from the impulse of so sublime a being as Krishna, this soul must be forced downward into the chaotic confusion of the battle. Arjuna would gladly turn away from all this chaos, for the life of earth around him appears as something strange and far away, altogether unrelated to his soul. We can distinctly feel this soul is still one of those who long for the higher worlds, who would live with the Gods, and who feel human life as something foreign and incomprehensible to them. In truth a wondrous picture, containing things of sublime import!

A hero, Arjuna, surrounded by other heroes and by the warrior hosts—a hero who feels all that is spread before him as unfamiliar and remote—and a God, Krishna, who is needed to direct him to this world. He does not understand this world until Krishna makes it comprehensible to him. It may sound paradoxical, but I know that those who can enter into the matter more deeply will understand me when I say that Arjuna stands there like a human soul to whom the earthly side of the world has first to be made comprehensible.

Now this Bhagavad Gita comes to men of the West who undoubtedly have an understanding for earthly things! It comes to men who have attained such a high degree of materialistic civilization that they have a very good understanding for all that is earthly. It has to be understood by souls who are separated by a deep gulf from all that a genuine observation shows Arjuna's soul to be. All that to which Arjuna shows no inclination, needing Krishna to tame him down to earthly things, seems to the Westerner quite intelligible and obvious. The difficulty for him lies rather in being able to lift himself up to Arjuna, to whom has to be imparted an understanding of what is well understood in the West, the sense matters of earthly life. A God, Krishna, must make our civilization and culture intelligible to Arjuna. How easy it is in our time for a person to understand what surrounds him! He needs no Krishna. It is well for once to see clearly the mighty gulfs that can lie between different human natures, and not to think it too easy for a Western soul to understand a nature like that of Krishna or Arjuna. Arjuna is a man, but utterly different from those who have slowly and gradually evolved in Western civilization.

That is one picture I wanted to bring you, for words cannot lead us more than a very little way into these things. Pictures that we can grasp with our souls can do better because they speak not only to understanding but to that in us which on earth will always be deeper than our understanding—to our power of perception and to our feeling. Now I would like to place another picture before you, one not less sublime than that from the Bhagavad Gita but that stands infinitely nearer to Western culture. Here in the West we have a beautiful, poetic picture that Western man knows and that means much for him. But first let us ask, to what extent does Western mankind really believe that this being of Krishna once appeared before Arjuna and spoke those words? We are now at the starting-point of a concept of the world that will lead us on until this is no mere matter of belief, but of knowledge. We are however only at the beginning of this anthroposophical concept of the world that will lead us to knowledge. The second picture is much nearer to us. It contains something to which Western civilization can respond.

We look back some five centuries before the founding of Christianity to a soul whom one of the greatest spirits of Western lands made the central figure of all his thought and writing. We look back to Socrates. We look to him in the spirit in the hour of his death, even as Plato describes him in the circle of his disciples in the famous discourse on the immortality of the soul. In this picture there are but slight indications of the beyond, represented in the “daimon” who speaks to Socrates.

Now let him stand before us in the hours that preceded his entrance into the spiritual worlds. There he is, surrounded by his disciples, and in the face of death he speaks to them of the immortality of the soul. Many people read this wonderful discourse that Plato has given us in order to describe the scene of his dying teacher. But people in these days read only words, only concepts and ideas. There are even those—I do not mean to censure them—in whom this wonderful scene of Plato arouses questions as to the logical justification of what the dying Socrates sets forth to his disciples. They cannot feel there is something more for the human soul, that something more important lives there, of far greater significance than logical proofs and scientific arguments. Let us imagine all that Socrates says on immortality to be spoken by a man of great culture, depth and refinement, in the circle of his pupils, but in a different situation from that of Socrates, under different circumstances. Even if the words of this man were a hundred times more logically sound than those of Socrates, in spite of all they will perhaps have a hundred times less value. This will only be fully grasped when people begin to understand that there is something for the human soul of more value, even if less plausible, than the most strictly correct logical demonstrations. If any highly educated and cultured man speaks to his pupils on the immortality of the soul, it can indeed have significance. But its significance is not revealed in what he says—I know I am now saying something paradoxical but it is true—its significance depends also on the fact that the teacher, having spoken these words to his pupils, passes on to look after the ordinary affairs of life, and his pupils do the same. But Socrates speaks in the hour that immediately precedes his passage through the gates of death. He gives out his teaching in a moment when in the next instant his soul is to be severed from his bodily form.

It is one thing to speak about immortality to the pupils he is leaving behind in the hour of his own death—which does not meet him unexpectedly but as an event predetermined by destiny—and another thing to return after such a discourse to the ordinary business of living. It is not the words of Socrates that should work on us as much as the situation under which he speaks them. Let us take all the power of this scene, all that we receive from Socrates' conversation with his pupils on immortality, the full immediate force of this picture. What do we have before us? It is the world of everyday life in Greek times; the world whose conflicts and struggles led to the result that the best of the country's sons was condemned to drink the hemlock. This noble Greek spoke these last words with the sole intention of bringing the souls of the men around him to believe in what they could no longer have knowledge; believe in what was for them “a beyond,” a spiritual world. That it needs a Socrates to lead the earthly souls until they gain an outlook into the spiritual worlds, that it needs him to do this by means of the strongest proofs, that is, by his deed, is something that is indeed comprehensible to Western souls. They can gain an understanding for the Socratic culture. We only grasp Western civilization in a right sense when we recognize that in this respect it has been a Socratic civilization throughout the centuries.

Now let us think of one of the pupils of Socrates who could certainly have no doubt of the reality of all that surrounded him, being a Greek, and compare him with Krishna's disciple Arjuna. Think how the Greek has to be introduced to the super-sensible world, and then think of Arjuna who can have no doubt whatever about it but becomes confused instead with the sense-world, almost doubting the possibility of its existence. I know that history, philosophy and other branches of knowledge may say with apparently good reason, “Yes, but if you will only look at what is written in the Bhagavad Gita, and in Plato's works, it is just as easy to prove the opposite of what you have just said.” I know too that those who speak like this do not want to feel the deeper impulses, the mighty impulses that arise on the one hand from that picture out of the Bhagavad Gita, and on the other from that of the dying Socrates as described by Plato. A deep gulf yawns between these two worlds In spite of all the similarity that can be discovered. This is because the Bhagavad Gita marks the end of the age of the ancient clairvoyance. There we can catch the last echo of it; while in the dying Socrates we meet one of the first of those who through thousands of years have wrestled with another kind of human knowledge, with those ideas, thoughts and feelings that, so to say, were thrown off by the old clairvoyance and have continued to evolve in the intervening time, because they have to prepare the way for a new clairvoyance. Today we are striving toward this new clairvoyance by giving out and receiving what we call the anthroposophical conception of the world. From a certain aspect we may say that no gulf is deeper than the one that opens between Arjuna and a disciple of Socrates.

Now we are living in a time when the souls of men, having gone through manifold transformations and incarnations in the search for life in external knowledge, are now once more seeking to make connection with the spiritual worlds. The fact that you are sitting here is most living proof that your own souls are seeking this reunion. You are seeking the connection that will lead you up in a new way to those worlds so wondrously revealed to us in the words of Krishna to his disciple Arjuna. So there is much in the occult wisdom on which the Bhagavad Gita is founded that resounds to us as something responding to our deepest longings. In ancient times the soul was well aware of the bond that unites it with the spiritual. It was at home in the super-sensible. We now are at the beginning of an age wherein men's souls will once more seek access in a new way to the spiritual worlds. We must feel ourselves stimulated to this search when we think of how we once had this access that it once was there for man. Indeed, we shall find it to an unusual degree in the revelations of the holy song of the East.

As is generally the case with the great works of man, we find the opening words of the Bhagavad Gita full of meaning. (Are not the opening words of the Iliad and the Odyssey most significant?) The story is told by his charioteer to the blind king, the chief of the Kurus who are engaged in fratricidal battle with the Pandavas. A blind chieftain! This already seems symbolical. Men of ancient times had vision into the spiritual worlds. With their whole heart and soul they lived in connection with Gods and Divine Beings. Everything that surrounded them in the earthly sphere was to them in unceasing connection with divine existence. Then came another age, and just as Greek legend depicts Homer as a blind man, so the Gita tells us of the blind chief of the Kurus. It is to him that the discourses of Krishna are narrated in which he instructs Arjuna concerning what goes on in the world of the senses. He must even be told of those things of the sense-world that are projections into it from the spiritual. There is a deeply significant symbol in the fact that old men who looked back with perfect memory and a perfect spiritual connection into a primeval past, were blind to the world immediately around them. They were seers in the spirit, seers in the soul. They could experience as though in lofty pictures all that lived as spiritual mysteries. Those who were to understand the events of the world in their spiritual connections were pictured to us in the old songs and legends as blind. Thus we find this same symbol in the Greek singer Homer as in that figure that meets us at the beginning of the Bhagavad Gita. This introduces us to the age of transition from primeval humanity to that of the present day.

Now why is Arjuna so deeply moved by the impending battle of the brothers? We know that the old clairvoyance was in a sense bound up with external blood relationship. The flowing of the same blood in the veins of a number of people was rightly looked upon as something sacred in ancient times because with it was connected the ancient perception of a particular group-soul. Those who not only felt but knew their blood-relationship to one another did not yet have such an ego as lives in men of the present time. Wherever we look in those ancient times we find everywhere groups of people who did not at all feel themselves as having an individual “I” as man does today. Each felt his identity only in the group, in a community based upon the blood-bond.

What does the folk-soul, the nation-soul, signify to a man today? Certainly it is often an object of the greatest enthusiasm. Yet we may say that, compared with the individual “I” of a man, this nation-soul does not really count. This may be a hard saying but it is true. Once upon a time man did not say “I” to himself but to his tribal or racial group. This group-soul feeling was still living in Arjuna when he saw the fratricidal battle raging around him. That is the reason why the battle that raged about him filled him with such horror.

Let us enter the soul of Arjuna and feel the horror that lived in him when he realized how those who belonged together are about to murder each other. He felt what lived in all the souls at that time and is about to kill itself. He felt as a soul would feel if its body, which is its very own, were being torn in pieces. He felt as though the members of one body were in conflict, the heart with the head, the left hand with the right. Think how Arjuna's soul confronted the impending battle as a battle against its own body, when, in the moment he drops his bow, the conflict of the kinsmen seems to him a conflict between a man's right hand and his left. Then you will feel the atmosphere of the opening verses of the Bhagavad Gita.

When Arjuna is in this mood he is met by the great teacher Krishna. Here we must call attention to the incomparable art with which Krishna is pictured in this scene: The holy God, who stands there teaching Arjuna what man shall and will discard if he would take the right direction in his evolution. Of what does Krishna speak? Of I, and I, and I, and always only of I. “I am in the earth, I am in the water, I am in the air, I am in the fire, in all souls, in all manifestations of life, even in the holy Aum. I am the wind that blows through the forests. I am the greatest of the mountains, of the rivers. I am the greatest among men. I am all that is best in the old seer Kapila.” Truly Krishna says nothing less than this, “I recognize nothing else than myself, and I admit the world's existence only in so far as it is I!” Nothing else than I speaks from out the teaching of Krishna.

Let us once [and] for all see quite plainly how Arjuna stands there as one not yet understanding himself as an ego but who now has to do so. How the God confronts him like an all-embracing cosmic egoist, admitting of nothing but himself, even requiring others to admit of nothing but themselves, each one an “I.” Yes, in all that is in earth, water, fire or air, in all that lives upon the earth, in the three worlds, we are to see nothing but Krishna.

It is full of significance for us that one who cannot yet grasp the ego is brought for his instruction before a Being who demands to be recognized only as his own Self. Let him who wants to see this in the light of truth read the Bhagavad Gita through and try to answer the question, “How can we designate what Krishna says of himself and for which he demands recognition?” It is universal egoism that speaks in Krishna. It does indeed seem to us as though through the whole of the sublime Gita this refrain resounds to our spiritual hearing, “Only when you recognize, you men, my all-embracing egoism, only then can salvation be for you!”

The greatest achievements of human spiritual life always set us riddles. We only see them in the right light when we recognize that they set us the very greatest riddles. Truly, a hard one seems to be given us when we are now confronted with the task of understanding how a most sublime teaching can be bound up with the announcement of universal egoism. It is not through logic but in the perception of the great contradictions in life that the occult mysteries unveil themselves to us. It will be our task to get beyond what seems so strange and come to the truth within the Maya.

When we are speaking within Maya we must recognize what it really is that we may rightly call a universal egoism. Through this very riddle we must reach out from illusion into reality, into the light of truth. How this is possible, and how we may surmount this riddle and reach reality, will form the subject of the following lectures.

Erster Vortrag

Es ist etwas mehr als ein Jahr, daß ich hier an diesem Orte sprechen durfte über diejenigen Dinge, welche uns allen so tief im Herzen liegen, über diejenigen Dinge, von denen wir der Meinung sind, daß sie sich der menschlichen Erkenntnis in der Gegenwart einfügen müssen, weil von unserer Zeit an die menschlichen Seelen immer mehr und mehr fühlen werden, daß das Wissen um diese Dinge wirklich zu den Bedürfnissen, zu den tiefsten Sehnsuchten der Menschenseele gehört. Und mit einer tiefen Befriedigung begrüße ich Sie zum zweiten Male an diesem Orte, zugleich mit allen denjenigen, welche hier heraufgekommen sind, um in Ihrer Mitte zu zeigen, wie ihr Herz und ihre Seele mit unserer heiligen Sache über den ganzen Erdkreis hin verbunden sind.

Als ich das letzte Mal hier zu Ihnen sprechen durfte, da erhoben wir unseren geistigen Blick zu weiten Wanderungen in die Regionen des Weltenalls. Diesmal wird es unsere Aufgabe sein, mehr in den Regionen der irdischen Entwickelung uns aufzuhalten. Aber wir werden in solche Regionen uns zu vertiefen haben, welche uns nicht minder hinführen werden zu den Pforten der ewigen Offenbarung des Geistigen in der Welt. Wir werden über einen Gegenstand zu sprechen haben, der uns in der Zeit und in dem Raum scheinbar weit von dem Jetzt und von dem Hier hinwegführen wird, der uns aber darum nicht minder zu demjenigen führen wird, das im Jetzt und im Hier ebenso lebt wie in allen Zeiten und in allen Räumen, der uns führen wird in intimer Weise zu den Geheimnissen des Ewigen in allem Sein, der uns führen wird zu dem unaufhörlichen menschlichen Suchen nach den Quellen der Ewigkeit, nach denjenigen Quellen, innerhalb welcher auch der Heilsaft zu finden ist für alles, was die Menschen, seit sie Verständnis dafür gewonnen haben, die allgewaltige Liebe nennen. Denn wo wir auch versammelt sind, da sind wir versammelt im Namen des Strebens nach Weisheit und des Strebens nach Liebe, da sind wir versammelt in der Sehnsucht nach den Quellen dieser Liebe. Und dasjenige, was ausgebreitet ist und betrachtet werden kann im weiten Umkreis des ganzen kosmischen Alls, das kann auch betrachtet werden in der ringenden Menschenseele allüberall. Und das tritt uns dann ganz besonders entgegen, wenn wir den Blick hinwenden zu einer jener gewaltigen Kundgebungen dieses ringenden Menschengeistes, wie sie gegeben sind in solchen Leistungen menschlichen Lebens, von denen wir eine zugrunde legen den gegenwärtigen Betrachtungen. Sprechen wollen wir von einer der größten, der eindringlichsten Kundgebungen des menschlichen Geistes, von der uralten, aber in ihren Grundlagen gerade in unserer Zeit sich uns von erneuter Wichtigkeit erweisenden Bhagavad Gita.

Es ist noch nicht lange her, da haben die Völker Europas, die Völker des Westens überhaupt, noch wenig gewußt von dieser Bhagavad Gita. Erst heute, ein Jahrhundert lang, verbreitet sich im Westen der Ruhm dieser wunderbaren Dichtung und die Kenntnis dieses wunderbaren Sanges. Aber gerade das soll der Gegenstand dieses unseres Vortragszyklus diesmal sein, daß die Erkenntnis — nicht die bloße Kenntnis —, daß die Erkenntnis der wundervollen morgenländischen Gita im Grunde erst wird kommen können, wenn die Grundlagen dieses herrlichen Sanges sich immer mehr und mehr den Menschenseelen enthüllen werden, diejenigen Grundlagen, welche man die okkulten Grundlagen desselben nennen kann. Denn entsprungen ist dasjenige, was uns in der Bhagavad Gita entgegentritt, noch einem Zeitalter, von dem wir im Zusammenhange unserer geisteswissenschaftlichen Betrachtungen öfter schon gesprochen haben, entsprungen sind die gewaltigen Empfindungen, Gefühle und Ideen der Bhagavad Gita einem Zeitalter, in das noch hereingeleuchtet haben die Kundgebungen alten menschlichen Hellsehertums. Für denjenigen, der empfinden will, was Seite für Seite die Bhagavad Gita aushaucht, wenn sie zu uns spricht, für den gibt sich auch Seite für Seite etwas kund wie ein Hauch uralten Hellsehertums der Menschheit.

Es war die erste Bekanntschaft der westlichen Welt mit der Bhagavad Gita in einem Zeitalter gekommen, in dem diese westliche Welt nur mehr geringes Verständnis hatte für die ursprünglichsten ersten hellsichtigen Quellen dieser Bhagavad Gita. Dennoch schlug dieses hohe Lied der Gottheit oder, besser gesagt, von dem Göttlichen, wie ein Blitz in diese abendländische Welt ein, so daß ein Mann Mitteleuropas dazumal, als er zuerst bekannt wurde mit dem wunderbaren morgenländischen Sang, unumwunden aussprach, er müsse sich glücklich preisen, noch den Zeitpunkt erlebt zu haben, an dem er hat bekannt werden können mit jenem Wunderbaren, das in der Bhagavad Gita ausgesprochen ist. Und dieser Mann war nicht einer, der unbekannt war mit dem Geistesleben der Menschheit in den Jahrhunderten, ja Jahrtausenden; dieser Mann war einer, der tief hineingeschaut hat in das Geistesleben der Völker: es war Wilhelm von Humboldt, der Bruder des berühmten Kosmos-Schreibers Humboldt. Auch andere Angehörige des Abendlandes, Menschen der verschiedensten Sprachgebiete, sie alle haben ähnlich empfunden. Wie bedeutsam aber wirkt doch dieses Empfinden, wenn man - es sei dieses einmal von dieser Seite her erwähnt — die Bhagavad Gita zunächst in ihren ersten Gesängen auf sich wirken läßt.

Man muß vielleicht gerade in unserem Kreise doch wohl oft sich erst zur vollen Unbefangenheit durcharbeiten, weil ja, trotzdem die Bhagavad Gita im Abendlande seit so kurzer Zeit bekannt ist, der heilige Sturm, mit dem sie die Seelen ergriffen hat, so gewirkt hat, daß man von vornherein an sie herangeht mit dem Gefühl, etwas wie ein Heiliges vor sich zu haben und sich nicht mehr ganz klar macht, wovon eigentlich der Ausgangspunkt genommen wird. Es sei einmal, vielleicht sogar etwas grotesk nüchtern, zunächst dieser Ausgangspunkt vor unsere Seele hingestellt.

Ein Gedicht stellt sich vor uns hin, das uns von den ersten Seiten an in den wildesten, stürmischsten Kampf hineinversetzt. Wir werden auf einen Schauplatz geführt, der kaum weniger wild als derjenige ist, in den uns Homer in der Ilias sogleich hineinversetzt. Ja, wir verfolgen weiter, wie dieser Schauplatz uns darstellt etwas, was eine der wichtigsten Persönlichkeiten, die da auftreten, ja vielleicht die wichtigste sogar, als einen Bruderkampf von vornherein empfindet, Arjuna. Vor uns tritt auf dieser Arjuna wie einer, dem vor dem Kampfe graut, denn er sieht drüben unter den Feinden seine Blutsverwandten. Der Bogen entsinkt ihm, indem er sich klar darüber wird, daß er eintreten soll in einen Kampf, in einen mörderischen Kampf mit Menschen, die abstammen von denselben Ahnen, von denen er sich selber herleitet, durch deren Adern das gleiche Blut fließt, wie es in den seinigen rinnt. Und wir fangen fast an mitzufühlen mit diesem Sinkenlassen des Bogens, mit diesem Zurückbeben vor dem furchtbaren Bruderkampf. Und aufsteigt vor unserem Blick der große geistige Lehrer dieses Arjuna, Krishna. Und eine großartige, eine erhabene Lehre wird uns von Krishna in den wundervollsten Farben so vorgeführt, daß dies alles als ein spiritueller Unterricht an Arjuna erscheint, der sein Schüler ist. Aber worauf will das alles zuletzt heraus? Das ist es, was man sich im Grunde genommen erst einmal nüchtern vor Augen führen muß, was man nicht übersehen darf. Worauf will das eigentlich heraus? Ja, es genügt eben nicht, wenn man bloß sich einläßt auf die große, heilig erscheinende Lehre, die Krishna dem Arjuna gibt. Auch die Umstände, in denen sie gegeben wird, müssen ins Auge gefaßt werden. Ins Auge müssen wir fassen, in welcher Situation Krishna den Arjuna auffordert, im Bruderkampf nicht zu bangen, aufzunehmen den Bogen und mit voller Kraft sich hineinzustürzen in den verheerenden Kampf. Das muß man sich auch vor Augen führen. Wie eine zunächst unverständliche geistige Lichtwolke tauchen mitten im Kampfe Krishnas Lehren auf, und sie gelten der Aufforderung, nicht zurückzubeben in diesem Kampfe, sondern darinnen zu stehen, die Pflicht zu tun in diesem Kampfe. Wenn man dies sich vor Augen führt, so verwandelt sich fast diese Lehre gewissermaßen durch den Rahmen. Aber dieser Rahmen führt ja weiter hinaus in das ganze Gewebe des «Mahabharata», des großen, gewaltigen Sanges, von dem wiederum die Bhagavad Gita ein Teil ist. Es führt uns die Lehre Krishnas heraus in die Stürme der Alltäglichkeit, in die wirren Stürme menschlicher Kämpfe, menschlichen Irrtums, irdischen Streites. Es erscheint uns fast diese Lehre wie eine Rechtfertigung dieser Stürme der menschlichen Kämpfe. Wenn wir dieses uns zunächst gewissermaßen nüchtern vor Augen führen, entstehen vielleicht doch noch ganz andere Fragen gegenüber der Bhagavad Gita, als diejenigen sind, die dann entstehen, wenn man in mancherlei, dem man ein Verständnis glaubt entgegenbringen zu können, etwas findet wie bei den gewöhnlichen menschlichen Werken. Und vielleicht ist es nötig hinzuweisen auf jenen Rahmen der Bhagavad Gita, um wirklich die welthistorische Bedeutung dieses grandiosen Sanges vor Augen führen zu können, und dann aufmerksam machen zu können auf dasjenige, wodurch uns die Bhagavad Gita immer mehr und mehr gerade in der Gegenwart von ganz besonderer Wichtigkeit werden kann.

Ich sagte schon: wie etwas völlig Neues kam in die westliche Welt die Bhagavad Gita hinein, fast auch wie völlig neu dasjenige, was an Gefühlen, Empfindungen und Gedanken der Bhagavad Gita zugrunde liegt. Was kannte denn im Grunde genommen das, was westländische Kultur ist, von morgenländischer Kultur bis in diese Zeit herein, in welche die Bekanntschaft mit der Bhagavad Gita fiel? Abgesehen von mancherlei gerade in dem letzten Jahrhundert bekannt gewordenen, sehr wenig! Abgesehen von gewissen geheim gebliebenen Bestrebungen, kannte die westliche Kultur gerade das nicht unmittelbar in seiner Bedeutung, was als Grundnerv, als wichtigster Impuls die ganze Bhagavad Gita durchzieht. Wenn man herankommt an solche Dinge wie die Bhagavad Gita, dann fühlt man, wie wenig eigentlich menschliche Sprache, menschliche Philosophie, menschliche Ideen, die dem Alltag gelten und ihn beherrschen und für ihn ja auch genügen, wie wenig dieselben ausreichend sind, um zu charakterisieren solche Spitzen, solche Gipfelpunkte des menschlichen Geisteslebens auf der Erde. Man braucht ja noch etwas ganz anderes als die gewöhnlichen Schilderungen, um das zum Ausdruck zu bringen, was uns entgegenleuchtet aus einer solchen Offenbarung des menschlichen Geistes.

Zwei Bilder möchte ich, damit sie eine Unterlage bilden für die weiteren Schilderungen, zunächst vor unsere Seelen hinstellen. Das eine Bild aus der Bhagavad Gita selber, das andere aus dem westländischen Geistesleben, und zwar so, daß es diesem westländischen Geistesleben verhältnismäßig nahe liegt, während das Bild, das wir aus der Bhagavad Gita selber nehmen wollen, vorläufig dem abendländischen Geistesleben recht fern zu liegen scheint. Jetzt sei ein Bild vor unsere Seele zunächst hingestellt, das wir in der Bhagavad Gita selber finden: So verläuft ja der große erhabene Gesang, daß uns geschildert wird, wie mitten in der Schlacht Krishna auftaucht und Weltengeheimnisse, gewaltige, große Lehren vor seinem Schüler Arjuna enthüllt. Dann überkommt diesen Schüler der Drang, gestaltenhaft, geistig gestaltet, diese Seele zu sehen, denjenigen wirklich zu erkennen, der so Erhabenes zu ihm spricht. Er bittet den Krishna, er möge sich ihm zeigen, so wie er sich ihm zeigen kann in seiner wahren Geistgestalt. Und da erscheint ihm denn Krishna und wir werden noch auf diese Schilderung zurückkommen -, da erscheint er in seiner Gestalt, die alles umfaßt, eine große, erhabene, herrliche Schönheit, eine Erhabenheit, die Weltgeheimnisse darstellt. Wir werden sehen, daß es weniges gibt auf der Welt, das herrlich ist gleich dieser Schilderung, wie sich die erhabene Geistgestalt des Lehrers dem Seherauge seines Schülers offenbart. Ausbreitet sich vor dem Auge Arjunas das wüste, wirre Kampfesfeld, auf dem viel Blut fließen soll, auf dem der Bruderkampf sich entwickeln soll. Entrückt soll werden von diesem wüsten, wirren Kampfesfeld die Seele des Schülers des Krishna, und erblicken soll die Seele dieses Schülers eine Welt, eintauchen soll sie in eine Welt, in der Krishna in seiner wahren Gestalt lebt, die entrückt ist allem Kampf, allem Streit, eine Welt hehrster, erhabenster Seligkeit, eine Welt, in der sich enthüllen die Geheimnisse des Daseins, eine Welt, entrückt der Alltäglichkeit, dem Kampf und Streit, eine Welt, der die Menschenseele ihrer innersten, eigensten Wesenheit nach eigentlich aber angehört. Von dieser Welt soll die Menschenseele wissen, wissen lernen soll sie von dieser Welt, und dann soll es ihr möglich werden, wiederum herabzusteigen, wieder einzugreifen in die wirren, wüsten Kämpfe der diesseitigen Welt. Wahrhaftig, wenn wir fühlend der Schilderung dieses Bildes folgen, dann sagen wir uns: Was geht denn eigentlich vor in der Seele des Arjuna? Wie ist sie denn, diese Seele? Sie steht mitten im Kampfgewühl, und zwar so, wie wenn dieses Kampfgewühl ihr aufgedrängt wäre. So fühlt sich diese Seele wie verwandt mit einer seligen Welt, in der es nicht gibt menschliches Leiden, menschlichen Kampf, menschliches Sterben. So sehnt sich diese Arjunaseele herauf in eine Welt des Ewigen, des Seligen. Aber mit einer Notwendigkeit, die sich nur ergeben kann aus dem Impuls des erhabenen Krishna, muß diese Seele niedergezwungen werden zu dem wüsten, wirren, alltäglichen Kampf. Sie will den Blick abwenden von diesem wirren, wüsten Kampf. Wie ein Fremdes, wie ein ihr ganz und gar nicht Verwandtes, so erscheint das Leben der Erde, wie es ringsherum ist, für diese Arjunaseele. Wir fühlen förmlich: Diese Seele ist noch eine solche, die sich in die oberen Welten hinaufsehnt, als ob sie mit den Göttern noch leben wollte, und das Leben der Menschen noch wie ein Fremdes, ein Unverwandtes, ein Unverständliches empfindet. Wahrhaftig, ein wunderbares Bild, das größte und erhabenste Momente enthält: ein Held, Arjuna, umgeben von anderen Helden, von Kämpferscharen, ein Held, der alles, was sich ihm vor Augen ausbreitet, wie ein Fremdes, Jenseitiges, Unverwandtes empfindet, der erst hingewiesen werden muß auf diese Welt durch einen Gott, und der nicht versteht die diesseitige Welt, ohne daß ein Gott sie ihm verständlich macht, Krishna.

Scheinbar recht paradox mag es klingen, aber ich weiß doch, daß diejenigen, die tiefer auf die Sache eingehen können, es verstehen werden, wenn ich das Folgende sage. Arjuna steht da vor uns wie eine Menschenseele, der erst verständlich gemacht werden soll das Diesseits der Welt, das Irdische der Welt. Und nun sollte die Bhagavad Gita in den westlichen Kulturländern wirken auf Menschen, die sehr wohl ein Verständnis haben für alles Irdische, die es im Materialismus so weit gebracht haben, daß sie ein sehr gutes Verständnis haben für alles Irdische, für alles Materielle. Verständlich werden sollte die Bhagavad Gita für Seelen, die durch eine tiefe Kluft geschieden sind von alle dem, was sich bei einer wahrhaftigen Betrachtung als die Arjunaseele darstellt. Alles das, wozu die Arjunaseele, die durch Krishna erst herangebändigt werden muß zum Irdischen, keinen Trieb zeigt, das scheint den Abendländern sehr verständlich zu sein. Die Schwierigkeit scheint darin zu liegen, sich zu erheben zu der Arjunaseele, zu jener Seele, der erst Verständnis beigebracht werden soll für alles das, wozu in den westlichen Ländern sehr viel Verständnis vorhanden ist: für das Sinnliche, für das Materiell-Irdische. Ein Gott, Krishna, muß dem Arjuna ein Verständnis beibringen für alles dasjenige, was uns als unsere Kultur umgibt. Wie leicht wird es in unserer Zeit, dem Menschen Verständnis beizubringen für dasjenige, was ihn umgibt. Dazu bedarf es keines Krishna. Man tut gut daran, einmal klar den Blick hinzuwenden auf die Abgründe, welche zwischen menschlichen Naturen liegen können, und nicht allzuleicht das Verständnis zu nehmen, das eine abendländische Seele gewinnen kann für eine Natur, wie sie Krishna oder Arjuna ist. Arjuna ist ein Mensch, aber ein so ganz anderer als die Menschen, die in der abendländischen Kultur nach und nach sich herangebildet haben.

Das ist das eine Bild, von dem ich sprechen will, denn Worte können nur wenig in diese Dinge hineinführen. Bilder, die wir erfassen wollen mit unseren Seelen, können das mehr, da sie nicht nur zum Verständnis sprechen, sondern zu dem, was ewig auf der Erde tiefer sein wird als alles Verständnis, zu der Empfindung und dem Gefühl.

Nun möchte ich ein anderes Bild hinstellen vor unsere Seelen, ein Bild, von dem ich nicht sagen will, daß es weniger erhaben sei als dieses Bild der Bhagavad Gita, das aber unendlich viel näher steht demjenigen, was westländische Kultur ist. Da gibt es ein erhabenes Bild, ein schönes, poetisches Bild, von dem der Westländer sogar weiß, und das für ihn viel bedeutet. Was meine ich damit eigentlich? Ein Bild habe ich hingestellt: die Erscheinung des Krishna vor dem Arjuna. Fragen wir nun: Wieviel in der westländischen Entwickelung stehende Menschen glauben an die Wirklichkeit dieses Bildes, glauben, daß einmal dieser Krishna vor Arjuna erschien und so gesprochen hat? Fragen wir einmal, wieviel westländische Seelen an die Wirklichkeit dieses Bildes glauben. — Allerdings stehen wir am Ausgangspunkte einer Weltanschauung, die es dahin bringen wird, daß das nicht nur ein Glaube, sondern ein Wissen sein wird. Aber wir stehen eben am Ausgangspunkte dieser Weltanschauung, am Ausgangspunkte der anthroposophischen Weltanschauung. Das andere Bild steht uns viel näher. Es liegt wirklich in ihm etwas, für das die westländische Kultur einen Sinn hat.

Wir schauen hin einige Jahrhunderte vor der Begründung des Christentums auf eine Seele, die ein halbes Jahrtausend vor der Begründung des Christentums einer der größten Geister des Abendlandes in den Mittelpunkt seiner Betrachtungen gezogen hat. Auf Sokrates schauen wir hin und schauen hin im Geiste auf den sterbenden Sokrates. Sokrates, der sterbende Sokrates, wie ihn Plato im Kreise der Schüler schildert in seinem berühmten Gespräch über die Unsterblichkeit der Seele. In diesem Bilde wird nur spärlich angedeutet das andere, das Jenseitige, dargestellt als der Dämon, der zu Sokrates spricht. Sokrates stehe vor uns in den Stunden, die vorangegangen sind seinem Hineingehen in die spirituellen Welten, umgeben von seinen Schülern. Er spricht im Angesichte des Todes von der Unsterblichkeit der Seele. Viele lesen dieses wunderbare Gespräch von der Unsterblichkeit, das Plato uns gegeben hat, um gerade diese Szene seines sterbenden Lehrers zu schildern. Aber es lesen heute die Menschen nur Worte, Begriffe und Ideen. Es gibt sogar Menschen — und sie sollen nicht getadelt werden — die sich gegenüber dieser herrlichen Schilderung Platos fragen nach den logischen Berechtigungen desjenigen, was der sterbende Sokrates seinen Schülern auseinandersetzt. Es sind das diejenigen Menschen, die nicht empfinden können, daß es mehr gibt für die Menschenseele, daß Wichtigeres, Bedeutungsvolleres als logische Beweise, als wissenschaftliche Auseinandersetzungen in unseren Seelen lebt. Lassen wir ganz dasjenige, was Sokrates über die Unsterblichkeit sagt, lassen wir den allergebildetsten, den allertiefsten, den allerfeinsten Menschen im Kreise seiner Schüler in einer anderen Situation das sagen, was Sokrates seinen Schülern sagt, lassen wir es ihn unter anderen Umständen sagen, ja lassen wir hundertmal mehr das, was dieser feinste, logischste, gebildetste Mensch sagt, besser logisch begründet sein, als dies bei Sokrates ist: und trotzdem hat es vielleicht einen hundertmal geringeren Wert! Dies wird man erst voll einsehen, wenn man beginnen wird gründlich zu verstehen, daß es etwas für die Menschenseele gibt, was mehr wert ist, wenn es auch unscheinbarer scheint, als die stichhaltigsten logischen Beweise. Wenn irgendein gebildeter, feiner Mensch in irgendeiner Stunde zu seinen Schülern von der Unsterblichkeit der Seele spricht, so kann das wohl sehr bedeutsam sein. Aber die eigentliche Bedeutung wird nicht enthüllt durch das, was gesagt wird - ich weiß, ich spreche jetzt etwas sehr Paradoxes aus, aber etwas sehr Wahres -, sondern es wirkt der Umstand mit, daß dieser Lehrer seinen Schülern etwas sagt, hinterher aber die gewöhnlichen Angelegenheiten seines Lebens weiter besorgt und seine Schüler auch. Sokrates sagt die Dinge seinen Schülern in der Stunde, die seinem Durchschreiten der Todespforte vorangeht. Er spricht die Lehre von der Unsterblichkeit der Seele aus in dem Augenblicke, da in dem nächsten sich seine Seele von dem äußeren Leibe trennen wird. Es ist etwas anderes, in der Todesstunde, die nicht als unbestimmt vom Schicksal ihm entgegenkommt, zu den zurückbleibenden Schülern von der Unsterblichkeit zu sprechen, etwas anderes, nach diesem den gewöhnlichen Tagesgeschäften nachzugehen. Es ist etwas anderes, nach einem solchen Gespräche auch wirklich einzugehen in die Welten, die hinter der Todespforte liegen. Nicht die Worte des Sokrates sollen vorzugsweise auf uns wirken, die Situation soll es tun. Aber nehmen wir alle Stärke desjenigen, was eben versucht worden ist zu charakterisieren, nehmen wir all das, was uns in dem Gespräch des Sokrates zu seinen Schülern über die Unsterblichkeit wie ein Hauch entgegentritt, nehmen wir die ganze, unmittelbare Kraft dieses Bildes, was haben wir da vor uns? Die griechische Welt, die Welt der griechischen Alltäglichkeit haben wir vor uns, jene Welt, in der des Lebens Alltagskämpfe dazu geführt haben, den besten der Söhne des Landes mit dem Schierlingsbecher zu bedenken. Wir haben vor uns die letzten Erdenworte dieses edlen Griechen, die letzten Worte, die er nur dazu bestimmte, die Menschen, die um ihn herumstehen, dahin zu bringen, daß ihre Seelen glauben an dasjenige, von dem sie ein Wissen nicht mehr haben können, daß ihre Seelen glauben an das, was für sie ein Jenseits ist, an die geistige Welt. Daß ein Sokrates notwendig ist, um mit den stärksten Gründen, nämlich durch die Tat, Erdenseelen dazu zu bringen, daß sich für sie ein Ausblick ergibt in die spirituellen Welten, in denen die Seele lebt, wenn sie durch die Todespforte gegangen ist, das zaubert vor unsere Seele ein Bild hin, das westländischen Seelen wohl verständlich ist. Sokrateskultur ist westländischen Seelen wohl verständlich. Sokrates vor seinen Schülern stehend, die so unmittelbar vor der Wirklichkeit des Todes stehen: dieses Bild ist allerdings abendländischen Seelen verständlich. Wir begreifen abendländische Kultur nur dann recht, wenn wir wissen, daß sie in diesem Sinne doch sokratische Kultur durch die Jahrhunderte, durch die Jahrtausende war.

Vergleichen wir aber einen der Schüler des Sokrates, der wahrhaftig keinen Zweifel haben konnte an demjenigen, was ihn umgab denn er war ja ein Grieche -, vergleichen wir, wie dieser eingeführt werden muß in die übersinnliche Welt, vergleichen wir das mit dem Schüler des Krishna, mit Arjuna, der gar keine Zweifel haben kann an der übersinnlichen Welt, der aber irre wird an seiner Verwandtschaft, an dem ganzen Bestande, ja, an der Möglichkeit fast der Sinnenwelt.

Ich weiß sehr gut, daß historische Wissenschaft, philosophische Wissenschaft, alle möglichen Arten von Wissenschaften jetzt kommen können und mit scheinbar recht guten Gründen sagen könnten: Ja, aber schau doch nur hin, was da in der Bhagavad Gita steht, und was bei Plato steht. Man kann von alle dem ebensogut das Gegenteil beweisen, das Gegenteil von dem, was du eben ausgesprochen hast. — Aber ich weiß auch, daß diejenigen, die so sprechen, nicht empfinden wollen die tieferen, grandiosen Impulse, die auf der einen Seite jenem Bilde der Bhagavad Gita entlehnt sind, auf der anderen Seite dem Bilde des sterbenden Sokrates, wie Plato ihn schildert. Ein Abgrund liegt doch zwischen diesen zwei Welten bei alle dem, was man an Ähnlichkeit wiederum herausfinden könnte. Warum ist dieses so?

Es ist so, weil die Bhagavad Gita am Ende des alten hellseherischen menschlichen Zeitalters steht, weil in der Bhagavad Gita etwas herauftönt zu uns, wie der letzte Nachklang alten menschlichen Hellsehertums; weil auf der anderen Seite in dem sterbenden Sokrates uns einer der ersten jener Menschen entgegentritt, die da rangen durch Jahrtausende mit jener menschlichen Erkenntnis, mit jenen menschlichen Ideen, Gedanken und Empfindungen, die wie herausgeworfen sind aus dem alten Hellsehertum, die sich entwickelten in der Zwischenzeit, da sie sich vorzubereiten hatten zu einem neuen Hellsehertum, dem wir heute zustreben durch die Verkündigung und Aufnahme dessen, was wir die anthroposophische Weltanschauung nennen. Es ist in einer gewissen Beziehung keine Kluft tiefer als diejenige, die sich auftut zwischen Arjuna, dem Krishnaschüler, und einem Sokratesschüler. Aber wir leben in einer Zeit, in welcher die menschlichen Seelen, nachdem sie jahrhundertelang in ihrem Laufe durch verschiedene Verwandlungen, durch ihre Inkarnationen hindurch gesucht haben das Leben in äußerer Erkenntnis, den Zusammenschluß wieder suchen mit den spirituellen Welten. Im Grunde genommen ist, daß Sie hier sitzen, der lebendigste Beweis, daß in Ihnen solche Seelen leben, die den Zusammenschluß suchen, jenen Zusammenschluß, der hinaufführen soll in erneuerter Weise die Seelen zu solchen Welten, die uns, wie in einer wunderbaren Offenbarung, entgegenklingen in demjenigen, was Krishna seinem Schüler Arjuna verkündet. Deshalb kann wie etwas, was tiefsten Sehnsuchten unserer Seelen entspricht, vieles zu uns klingen, was der Bhagavad Gita okkult zugrunde liegt.

In alten Zeiten war der Seele das Band vertraut, das sie verbindet mit dem Geistigen. Das Übersinnliche, das Jenseitige, das Spirituelle war ihr wohlvertraut. Am Ausgangspunkte einer Zeit stehen wir, in der die Menschenseele wieder sucht den Zugang, jetzt in erneuter Weise, zu den übersinnlichen, spirituellen Welten. Wie eine Aneiferung zu diesem Suchen muß es uns erscheinen, wenn wir uns sagen können, wie das, was wir suchen, ja schon einmal da war in einer gewissen Weise, die allerdings nicht mehr die unsrige sein kann, aber doch eben einmal da war. Und zwar werden wir in ganz besonders hohem Grade dieses, was schon einmal da war, in den Offenbarungen des heiligen Sanges des Morgenlandes finden, in den Offenbarungen der erhabenen Gita, von Krishna an seinen großen Schüler Arjuna gerichtet.

Ja, bedeutungsvoll, wie in der Regel bei großen menschlichen Schöpfungen gleich die ersten Worte erscheinen — erscheinen uns die ersten Worte der Ilias, der Odyssee doch bedeutungsvoll -, so erscheinen auch bedeutungsvoll die ersten Worte der Bhagavad Gita. Erzählt wird dasjenige, was da dargestellt werden soll, von seinem Wagenlenker an den blinden König und das Haupt der Kurupartei, der eben im Bruderkampfe liegt mit der Pandavapartei. Ein blindes Oberhaupt! Dieses erscheint uns schon wie symbolisch. Die Menschen der alten Zeit hatten ja eben den Blick hinein in die geistigen Welten, sie lebten gleichsam mit ihrem ganzen Gemüte, mit ihrer ganzen Seele, mit Göttern und Geistern in Zusammenhang. Alles, was hier auf dem Erdkreise sie umgab, erschien ihnen nur unter fortwährendem Zusammenhange mit dem göttlich-geistigen Dasein. Dann kam eine andere Zeit. Und ebenso, wie uns Homer von der griechischen Sage als blind geschildert wird, so wird uns auch als blind geschildert das Haupt der Kurupartei, dem erzählt werden die Gespräche, die Krishna zu seinem Schüler spricht und die diesen Mann über dasjenige, was sich in der sinnlichen Welt abspielt, unterrichten. Ja, erzählt muß ihm sogar dasjenige werden, was hereinragt von der geistigen Welt in die sinnliche Welt hinein. Bedeutsam ist das Symbol, wie gegenüber einer unmittelbaren Umwelt blind waren die alten Menschen, deren Seelen hinaufreichten mit aller Erinnerung, mit allem geistigen Zusammenhange in uralte Zeiten. Sehend waren sie im Geiste, schauend in der Seele, diejenigen, die wie in höheren Bildern erleben konnten alles, was als geistige Geheimnisse lebte. Diejenigen, die in tieferem Sinne verstehen sollten, was sich in der Welt abspielt, die dieses verstehen sollten in seinem geistigen Zusammenhange, die werden uns in den alten Sagen und Sängen als blind dargestellt. So begegnen wir demselben Symbol ebenso bei dem griechischen Sänger Homer wie bei jener Gestalt, die uns gleich im Eingange der Bhagavad Gita entgegentritt. Und in welche Zeit werden wir hineingeführt? In die Zeit, die uns auch in anderer Art als die Zeit des Überganges der Urmenschheit in die gegenwärtige Menschheit öfters dargestellt worden ist. Warum aber wirkt auf Arjuna so stark der Umstand, daß der Bruderkampf stattfinden soll?

Wir wissen es ja, daß das alte Hellsehen gewissermaßen gebunden war an den äußeren Blutzusammenhang. Blutzusammenhang, das Fließen des gleichen Blutes in den Adern einer Menschenschar, war in alten Zeiten mit Recht etwas heilig Verehrtes. Denn daran war gebunden das alte Wahrnehmen einer gewissen Gruppenseele. Die Menschen, die blutsverwandt sich nicht nur fühlten, sondern sich wußten, in denen lebte eigentlich noch nicht ein solches Ich wie im gegenwärtigen Menschen. Wo wir auch hinschauen, finden wir in den uralten Zeiten überall Zusammenhänge, in denen der einzelne Mensch sich gar nicht mit einem solchen Ich fühlte, wie es heute der Mensch tut, sondern als allein bestehend in der Gruppe, in einer Gemeinschaft, die die Gemeinschaft des Blutes darstellte. Was bedeutet dem Menschen heute Stammesseele, Nationalseele, Volksseele? Gewiß, manchmal ist diese Nationalseele zum Beispiel, oder Volksseele, Gegenstand größter Begeisterung, aber wir dürfen sagen: gegenüber dem menschlichen einzelnen Ich kommt sie doch nicht auf, diese Volksseele, diese Stammesseele. — Es mag ein harter Ausspruch sein, aber wahr ist er. Denn es ist so, daß der Mensch einstmals nicht zu sich «Ich» gesagt hat, sondern zu der Gruppe seines Stammes oder Volkes. Dieses Gefühl für Gruppenseelenhaftigkeit lebt aber noch in Arjuna, da er den Bruderkampf um sich wüten sieht. Er versteht noch nicht zu sich «Ich» zu sagen, er versteht es noch besser, jenes Gruppen-Ich zu fühlen, das sich in allen jenen Seelen äußerte. Das macht es, daß ihm so grauenvoll der Kampf ist, der um ihn tobt.

Versetzen wir uns in diese Arjunaseele, so daß wir empfinden, daß da etwas wie ein Grauen lebt, daß sich da etwas morden will, was zusammengehört, eine Seele, die empfindet, was in allen Seelen lebt und was sich töten will. Versetzen wir uns in diese Arjunaseele, die empfindet, wie sich Brüder töten, in Stücke reißen wollen, die empfindet, wie wenn eine Seele empfinden würde, daß dasjenige, was doch zu ihr gehört, der Leib, in Stücke gerissen wird. So empfindet die Arjunaseele, wie wenn die Glieder eines Leibes, das Herz mit dem Haupte kämpfen würde, die linke Hand gegen die rechte Hand. Bedenken wir, daß diese Seele so dem Kampfe, der da stattfinden soll, gegenübersteht, daß dieser Kampf als ein Kampf gegen die eigene Leiblichkeit erscheint. Bedenken wir, was diese Seele fühlt in dem Augenblicke, wo sie den Bogen sinken läßt, wo der Kampf der Brüder ihr erscheint wie ein Kampf der rechten gegen die linke Hand des Menschen: dann fühlen wir die Stimmung des Einganges der Bhagavad Gita, dann fühlen wir — ich muß da erwas sagen, was wiederum scheinbar, aber nur scheinbar, paradox, grotesk sich hinstelli, was scheinbar gegen allerheiligste Empfindungen spricht -: Arjuna steht da, begreift noch nicht recht das Einzel-Ich, begreift aber das alte, das Gruppen-Ich, das sich ihm so unnatürlich im Kampfe darstellt. In dieser Stimmung tritt ihm gegenüber Krishna, der große Lehrer. - Wir müssen es einmal aussprechen, wie mit der größten Kunst, mit der unvergleichlichsten Kunst Krishna, der heilige Gott, dasteht dem Arjuna gegenüber, indem er dem Arjuna beibringt, was der Mensch sich abgewöhnen soll und wollen muß, wenn er im rechten Sinne in seiner Evolution aufsteigen will.

Verfolgen wir diesen Krishna und seine Lehre weiter. Was sagt er denn eigentlich? Wovon spricht er? Von Ich und Ich und Ich und immer nur von Ich. Ich bin in der Erde, Ich bin im Wasser, Ich bin in der Luft, Ich bin im Feuer, Ich bin in allen Seelen, Ich bin in allen Lebensäußerungen, selbst noch im heiligen Aum, Ich bin der Wind, der durch die Wälder geht, Ich bin der wertvollste unter den Bergen, Ich bin unter den Flüssen der wertvollste, Ich bin der wertvollste der Menschen, Ich bin unter den Seligen der alte Seher Kapila. — Wahrhaftig, dieser Krishna sagt ja nichts geringeres, als: Ich erkenne nichts anderes an als mich selber, und ich lasse die Welt nur gelten, insofern sie Ich ist. — Ich und Ich und Ich und nichts anderes spricht aus den Lehren des Krishna.

Machen wir uns das einmal ganz unverblümt klar, wie Arjuna dasteht, der das Ich noch nicht begreift, der es aber begreifen soll, und wie ihm gleich einem umfassenden, universellen kosmischen Egoisten entgegentritt der Gott, der nichts gelten läßt als sich selber, und sogar verlangt, daß auch die anderen nichts gelten lassen als ihn selber, ja, daß man in allem, was in Erde, Wasser, Feuer, Luft, in allem, was auf der Erde lebt, ja in allem, was in der Dreiwelt lebt, nichts anderes sieht als ihn.

Merkwürdig tritt uns entgegen, wie jemandem, der das Ich noch nicht begreifen kann, ein Wesen wie im Unterrichte entgegengeführt wird, das in Anspruch nimmt, nur als sein eigenes Selbst anerkannt zu werden. Wer im Lichte der Wahrheit dies sich ansehen will, lese die Bhagavad Gita durch und suche die Frage zu beantworten, mit welchem Worte man dasjenige, was der Krishna von sich sagt und wovon er verlangt, daß man es anerkennen soll, mit welchem Worte man das bezeichnen soll. Universeller Egoismus, das ist es, was aus Krishna spricht. Und so scheint uns denn, daß aus der erhabenen Gita allüberall der Refrain an unser geistiges Ohr tönt: Nur wenn ihr anerkennt, ihr Menschen, meinen allumfassenden Egoismus, dann ist Heil für euch.

Die größten Leistungen des menschlichen Geisteslebens geben uns immer Rätsel auf; nur dann sehen wir sie im rechten Lichte, wenn wir auch anerkennen und erkennen, daß sie uns die großen Rätsel aufgeben. Wahrhaftig, ein hartes Rätsel scheint uns aufgegeben zu sein, wenn wir jetzt vor der Aufgabe stehen, zu begreifen das, was wir nennen können eine erhabenste Lehre, verbunden mit der Verkündigung des universellen Egoismus. Nicht durch Logik, sondern in geschauten großen Widersprüchen des Lebens enthüllen sich uns die okkulten Geheimnisse. Es wird unsere Aufgabe sein, auch über jenes Merkwürdige hinweg innerhalb der Maya zu der Wahrheit zu kommen, so daß wir erkennen, was das eigentlich ist, was wir, wenn wir innerhalb der Maya sprechen, zu Recht einen universellen Egoismus nennen. Aus der Maya heraus müssen wir durch dieses Rätsel gelangen in die Wirklichkeit, in das Licht der Wahrheit. Wie es sich damit verhält, wie wir über dieses hinwegkommen werden in die Wirklichkeit, das soll die Aufgabe unserer nächsten Vorträge sein.

First Lecture

It is just over a year since I had the privilege of speaking here about those things that lie so deeply in our hearts, about those things which we believe must become part of human knowledge in the present age, because from now on, human souls will feel more and more that knowledge of these things truly belongs to the needs and deepest longings of the human soul. And it is with deep satisfaction that I welcome you here for the second time, together with all those who have come here to show how their hearts and souls are connected with our sacred cause throughout the whole world.

When I last had the opportunity to speak to you here, we raised our spiritual gaze to distant wanderings in the regions of the universe. This time, our task will be to dwell more in the regions of earthly development. But we will have to delve into regions that will lead us no less to the gates of the eternal revelation of the spiritual in the world. We will have to speak about a subject that will seemingly take us far away from the here and now in time and space, but which will no less lead us to that which lives in the here and now just as much as in all times and in all spaces, which will lead us in an intimate way to the mysteries of the eternal in all being, which will lead us to the incessant human search for the sources of eternity, for those sources within which the juice of salvation is also to be found for everything that human beings, since they have gained an understanding of it, call almighty love. For wherever we are gathered, we are gathered in the name of the pursuit of wisdom and the pursuit of love; we are gathered in the longing for the sources of this love. And that which is spread out and can be seen in the wide circle of the entire cosmic universe can also be seen in the struggling human soul everywhere. And this becomes particularly apparent to us when we turn our gaze to one of those powerful manifestations of this struggling human spirit, as they are found in such achievements of human life, one of which we take as the basis for our present considerations. Let us speak of one of the greatest, most powerful manifestations of the human spirit, the ancient Bhagavad Gita, which is proving to be of renewed importance to us in our time.

It was not long ago that the peoples of Europe, the peoples of the West in general, knew little about the Bhagavad Gita. Only today, a century later, is the fame of this wonderful poem and the knowledge of this wonderful song spreading in the West. But this is precisely the subject of our lecture series this time, that the recognition—not mere knowledge—that the recognition of the wonderful Eastern Gita can only really come about when the foundations of this magnificent song are revealed more and more to the human soul, those foundations which can be called its occult foundations. For what we encounter in the Bhagavad Gita sprang from an age of which we have often spoken in the context of our spiritual scientific considerations. The powerful sensations, feelings, and ideas of the Bhagavad Gita sprang from an age in which the manifestations of ancient human clairvoyance still shone forth. For those who want to feel what the Bhagavad Gita breathes out page after page when it speaks to us, something reveals itself page after page like a breath of ancient clairvoyance of humanity.

The Western world's first encounter with the Bhagavad Gita came at a time when it had little understanding of the most original, clairvoyant sources of this Bhagavad Gita. Nevertheless, this hymn to the deity, or rather to the divine, struck the Western world like a bolt of lightning, so that a man from Central Europe at that time, when he first became acquainted with the wonderful song from the East, openly declared that he must consider himself fortunate to have lived to see the moment when he was able to become acquainted with the wonders expressed in the Bhagavad Gita. And this man was not one who was unfamiliar with the spiritual life of humanity over the centuries, indeed over the millennia; this man was one who had looked deeply into the spiritual life of peoples: it was Wilhelm von Humboldt, brother of the famous writer of Cosmos. Other members of the Western world, people from a wide variety of linguistic areas, all felt similarly. But how significant this feeling is when one allows the Bhagavad Gita to work on oneself, at least in its first cantos, to be mentioned here.

Perhaps in our circle, in particular, we often have to work our way through to complete impartiality, because, despite the fact that the Bhagavad Gita has only been known in the West for a short time, the sacred storm with which it has seized souls has had such an effect that one approaches it from the outset with the feeling of having something sacred before one's eyes and is no longer entirely clear about where the starting point actually lies. Let us first place this starting point before our souls, perhaps in a somewhat grotesquely sober manner.

A poem presents itself to us that plunges us into the wildest, most stormy battle from the very first pages. We are led to a scene that is hardly less wild than the one into which Homer immediately plunges us in the Iliad. Yes, we continue to follow how this scene presents us with something that one of the most important characters, perhaps even the most important, Arjuna, perceives from the outset as a fratricidal struggle. Arjuna appears before us as one who dreads the battle, for he sees his blood relatives among the enemies. The bow slips from his hands as he realizes that he is about to enter into a battle, a murderous battle with people who are descended from the same ancestors as himself, through whose veins flows the same blood as in his own. And we almost begin to empathize with him as he drops his bow, recoiling from the terrible fratricidal battle. And before our eyes rises the great spiritual teacher of this Arjuna, Krishna. And Krishna presents us with a magnificent, sublime teaching in the most wonderful colors, so that it all appears as a spiritual lesson to Arjuna, who is his disciple. But what is the ultimate point of all this? That is what we must first of all consider soberly, what we must not overlook. What is the point of it all? Yes, it is not enough to simply accept the great, seemingly sacred teaching that Krishna gives to Arjuna. The circumstances in which it is given must also be taken into account. We must consider the situation in which Krishna urges Arjuna not to fear the battle between brothers, to take up his bow and throw himself with all his strength into the devastating fight. We must also bear this in mind. Like a cloud of spiritual light that is initially incomprehensible, Krishna's teachings appear in the midst of battle, and they urge us not to shrink back in this battle, but to stand firm and do our duty in this battle. When we keep this in mind, this teaching is almost transformed by the context. But this context leads us further into the whole fabric of the Mahabharata, the great, powerful song of which the Bhagavad Gita is a part. Krishna's teaching leads us out into the storms of everyday life, into the turbulent storms of human struggles, human error, and earthly strife. This teaching almost seems to us like a justification of these storms of human struggles. If we first consider this in a sober manner, perhaps questions arise about the Bhagavad Gita that are quite different from those that arise when one finds something in it that one believes one can understand, as is the case with ordinary human works. And perhaps it is necessary to point out the context of the Bhagavad Gita in order to truly grasp the world-historical significance of this magnificent song, and then to draw attention to that which makes the Bhagavad Gita increasingly important to us, especially in the present day.

I have already said that the Bhagavad Gita came into the Western world as something completely new, almost as completely new as the feelings, sensations, and thoughts that underlie the Bhagavad Gita. What did Western culture, up to the time when it became acquainted with the Bhagavad Gita, really know about Eastern culture? Apart from a few things that became known in the last century, very little! Apart from certain secret endeavours, Western culture did not know directly the significance of what runs through the entire Bhagavad Gita as its fundamental nerve, its most important impulse. When one approaches things like the Bhagavad Gita, one feels how little human language, human philosophy, human ideas that apply to everyday life and dominate it and are indeed sufficient for it, how little they are adequate to characterize such peaks, such summits of human spiritual life on earth. Something quite different from the usual descriptions is needed to express what shines out at us from such a revelation of the human spirit.

I would like to present two images to our souls as a basis for further descriptions. One image is from the Bhagavad Gita itself, the other from Western spiritual life, and in such a way that it is relatively close to Western spiritual life, while the image we want to take from the Bhagavad Gita itself seems, for the time being, to be quite distant from Western spiritual life. Let us now first place before our souls an image that we find in the Bhagavad Gita itself: The great and sublime song describes how Krishna appears in the midst of battle and reveals world secrets, powerful and great teachings, to his disciple Arjuna. Then this disciple is overcome by the urge to see this soul in a form, in a spiritual form, to truly recognize the one who speaks so sublimely to him. He asks Krishna to show himself to him as he can show himself in his true spiritual form. And then Krishna appears to him—we will come back to this description later—appearing in his all-encompassing form, a great, sublime, glorious beauty, a majesty that represents the secrets of the world. We will see that there is little in the world that is as glorious as this description of how the sublime spiritual form of the teacher reveals itself to the seer's eye of his disciple. Before Arjuna's eyes spreads the desolate, chaotic battlefield on which much blood is to be shed, on which the battle between brothers is to unfold. The soul of Krishna's disciple is to be transported away from this desolate, chaotic battlefield, and the soul of this disciple is to behold a world, to be immersed in a world in which Krishna lives in his true form, removed from all struggle and strife, a world of the most sublime, most exalted bliss, a world in which the secrets of existence are revealed, a world removed from everyday life, from struggle and strife, a world to which the human soul actually belongs in its innermost, most essential being. The human soul should know about this world, it should learn about this world, and then it should be possible for it to descend again, to intervene once more in the chaotic, desolate struggles of this world. Truly, if we follow the description of this image with feeling, we say to ourselves: What is actually going on in Arjuna's soul? What is this soul like? It stands in the midst of the battle, as if this battle had been forced upon it. This soul feels connected to a blissful world where there is no human suffering, no human struggle, no human death. This soul of Arjuna longs for a world of eternity and bliss. But with a necessity that can only arise from the impulse of the sublime Krishna, this soul must be forced down into the desolate, confused, everyday struggle. It wants to turn its gaze away from this confused, desolate struggle. Like a stranger, like something completely unrelated to it, the life of the earth, as it is all around it, appears to this Arjuna soul. We can literally feel that this soul is still one that longs to ascend to the higher worlds, as if it still wanted to live with the gods, and still perceives human life as something foreign, unrelated, and incomprehensible. Truly, it is a wonderful image that contains the greatest and most sublime moments: a hero, Arjuna, surrounded by other heroes, by armies of warriors, a hero who perceives everything that spreads out before his eyes as foreign, otherworldly, unrelated, who must first be pointed to this world by a god, and who does not understand the world of this side without a god making it understandable to him, Krishna.

It may sound quite paradoxical, but I know that those who can delve deeper into the matter will understand what I am about to say. Arjuna stands before us like a human soul who first needs to have the world of this life, the earthly world, made understandable to him. And now the Bhagavad Gita should have an effect in Western cultures on people who have a very good understanding of everything earthly, who have gone so far in materialism that they have a very good understanding of everything earthly, of everything material. The Bhagavad Gita should be understandable to souls who are separated by a deep chasm from everything that, when viewed truthfully, represents the soul of Arjuna. Everything that the soul of Arjuna, which must first be tamed by Krishna, shows no inclination toward seems very understandable to Westerners. The difficulty seems to lie in rising to the level of Arjuna's soul, to that soul which must first be taught to understand everything for which there is a great deal of understanding in Western countries: the sensual, the material, the earthly. A god, Krishna, must teach Arjuna to understand everything that surrounds us as our culture. How easy it is in our time to teach people understanding of what surrounds them. No Krishna is needed for that. We would do well to take a clear look at the abysses that can lie between human natures and not take too lightly the understanding that a Western soul can gain of a nature such as that of Krishna or Arjuna. Arjuna is a human being, but one who is very different from the people who have gradually developed in Western culture.

That is the one image I want to talk about, because words can only lead us a little way into these things. Images that we want to grasp with our souls can do more, because they speak not only to our understanding, but to what will always be deeper on earth than all understanding, to our feelings and emotions.

Now I would like to present another image to our souls, an image that I do not wish to say is less sublime than this image from the Bhagavad Gita, but which is infinitely closer to what Western culture is. There is a sublime image, a beautiful, poetic image that Westerners are even familiar with and which means a great deal to them. What do I actually mean by this? I have presented an image: the appearance of Krishna before Arjuna. Let us now ask: How many people in Western civilization believe in the reality of this image, believe that Krishna once appeared before Arjuna and spoke in this way? Let us ask how many Western souls believe in the reality of this image. — Of course, we are at the starting point of a worldview that will lead to this being not just a belief but knowledge. But we are just at the starting point of this worldview, at the starting point of the anthroposophical worldview. The other image is much closer to us. There is really something in it that makes sense to Western culture.

We look back several centuries before the founding of Christianity to a soul who, half a millennium before the founding of Christianity, was the focus of the contemplations of one of the greatest minds of the Western world. We look at Socrates and look in spirit at the dying Socrates. Socrates, the dying Socrates, as Plato describes him in the circle of his disciples in his famous dialogue on the immortality of the soul. In this image, the other, the beyond, is only sparsely hinted at, represented as the demon speaking to Socrates. Socrates stands before us in the hours preceding his entry into the spiritual worlds, surrounded by his disciples. He speaks of the immortality of the soul in the face of death. Many read this wonderful dialogue on immortality, which Plato gave us to describe precisely this scene of his dying teacher. But today people read only words, concepts, and ideas. There are even people — and they should not be blamed — who, faced with Plato's magnificent description, question the logical justification of what the dying Socrates expounds to his disciples. These are people who cannot feel that there is more to the human soul, that there is something more important and meaningful than logical proofs and scientific debates living in our souls. Let us leave aside what Socrates says about immortality, let us allow the most educated, the most profound, the most refined man in the circle of his disciples to say in a different situation what Socrates says to his disciples, let us allow him to say it under different circumstances, indeed, let us allow what this most refined, most logical, most educated man says to be a hundred times better logically justified than it is with Socrates: and yet it may be a hundred times less valuable! This can only be fully understood when one begins to thoroughly comprehend that there is something for the human soul that is more valuable, even if it seems more insignificant than the most valid logical proofs. When any educated, refined person speaks to his students at any given moment about the immortality of the soul, this can be very significant. But the real meaning is not revealed by what is said—I know I am now saying something very paradoxical, but also very true—but by the fact that this teacher says something to his students and then continues to go about his ordinary business, and his students do the same. Socrates tells his students these things in the hour before he passes through the gates of death. He proclaims the doctrine of the immortality of the soul at the moment when, in the next moment, his soul will separate from his outer body. It is one thing to speak to the students who remain behind about immortality in the hour of death, which does not come to him as something uncertain from fate, and it is quite another to go about his usual daily business afterwards. It is one thing to actually enter the worlds that lie beyond the gates of death after such a conversation. It is not Socrates' words that should have a particular effect on us, but the situation itself. But let us take all the strength of what has just been attempted to characterize, let us take everything that comes across to us like a breath in Socrates' conversation with his disciples about immortality, let us take the whole, immediate power of this image, what do we have before us? We have before us the Greek world, the world of Greek everyday life, that world in which the struggles of everyday life have led to the best of the country's sons being given the cup of hemlock. We have before us the last earthly words of this noble Greek, the last words he uttered solely to bring those standing around him to believe in that which they can no longer know, to believe in that which is for them an afterlife, in the spiritual world. That a Socrates is necessary to persuade earthly souls, with the strongest of reasons, namely through action, to see a prospect for themselves in the spiritual worlds where the soul lives after passing through the gates of death, conjures up before our souls an image that is well understood by Western souls. Socratic culture is well understood by Western souls. Socrates standing before his disciples, who are so close to the reality of death: this image is indeed understandable to Western souls. We can only truly understand Western culture if we know that, in this sense, it has been Socratic culture throughout the centuries, throughout the millennia.

But let us compare one of Socrates' disciples, who could truly have no doubt about what surrounded him, for he was a Greek, let us compare how he must be introduced into the supersensible world, let us compare that with the disciple of Krishna, with Arjuna, who can have no doubt about the supersensible world, but who is confused about his relationship about the whole of existence, indeed, about the very possibility of the sensory world.

I know very well that historical science, philosophical science, all kinds of sciences can now come along and say, with seemingly good reasons: Yes, but just look at what it says in the Bhagavad Gita and what Plato says. One can just as easily prove the opposite of what you have just said. But I also know that those who speak in this way do not want to feel the deeper, grandiose impulses that are borrowed, on the one hand, from the image of the Bhagavad Gita and, on the other hand, from the image of the dying Socrates as described by Plato. There is an abyss between these two worlds, despite all the similarities that can be found. Why is this so?

It is because the Bhagavad Gita stands at the end of the old clairvoyant age of humanity, because something sounds down to us from the Bhagavad Gita like the last echo of ancient human clairvoyance; because, on the other hand, in the dying Socrates we encounter one of the first of those human beings who struggled through millennia with that human knowledge, with those human ideas, thoughts, and feelings that were cast out of the old clairvoyance and developed in the intervening period as they prepared themselves for a new clairvoyance, which we are striving toward today through the proclamation and acceptance of what we call the anthroposophical worldview. In a certain sense, there is no deeper divide than that which opens up between Arjuna, the disciple of Krishna, and a disciple of Socrates. But we live in a time in which human souls, after centuries of searching through various transformations, through their incarnations, for life in outer knowledge, are once again seeking union with the spiritual worlds. Basically, the fact that you are sitting here is the most vivid proof that there are souls living within you who are seeking union, that union which is to lead the souls in a renewed way to those worlds which, as in a wonderful revelation, echo towards us in what Krishna proclaims to his disciple Arjuna. That is why much of what lies occultly at the basis of the Bhagavad Gita can resonate with us as something that corresponds to the deepest longings of our souls.

In ancient times, the soul was familiar with the bond that connects it to the spiritual. The supersensible, the beyond, the spiritual were well known to it. We are at the beginning of a time when the human soul is once again seeking access, now in a new way, to the supersensible, spiritual worlds. It must seem like an emulation of this search when we can say that what we are seeking was already there once before in a certain way, which, however, can no longer be ours, but was nevertheless once there. And we will find what once was to a particularly high degree in the revelations of the sacred songs of the East, in the revelations of the sublime Gita, addressed by Krishna to his great disciple Arjuna.

Yes, just as the first words of the Iliad and the Odyssey appear meaningful to us, as is usually the case with great human creations, so too do the first words of the Bhagavad Gita appear meaningful. What is to be depicted is narrated by his charioteer to the blind king and head of the Kuru party, who is engaged in a fratricidal battle with the Pandava party. A blind leader! This already seems symbolic to us. The people of ancient times had insight into the spiritual worlds; they lived, as it were, with their whole mind, with their whole soul, in connection with gods and spirits. Everything that surrounded them here on earth appeared to them only in constant connection with the divine-spiritual existence. Then another time came. And just as Homer describes the Greek legends as blind, so too is the leader of the Kuru party described as blind, to whom Krishna recounts the conversations he had with his disciple, instructing him about what takes place in the sensory world. Yes, he must even be told about what protrudes from the spiritual world into the sensory world. This symbol is significant in that the ancient people, whose souls reached back to ancient times with all their memories and all their spiritual connections, were blind to their immediate environment. Those who could experience everything that lived as spiritual mysteries as if in higher images were seeing in the spirit, looking with the soul. Those who were to understand in a deeper sense what was happening in the world, who were to understand this in its spiritual context, are portrayed as blind in the ancient legends and songs. We encounter the same symbol in the Greek singer Homer as in the figure who greets us at the beginning of the Bhagavad Gita. And into what time are we being led? To a time that has often been described to us in other ways as the time of the transition of primitive humanity into present-day humanity. But why does the fact that the fratricidal battle is to take place have such a strong effect on Arjuna?

We know that ancient clairvoyance was, in a sense, bound to the external blood connection. Blood ties, the flow of the same blood in the veins of a group of people, were rightly revered as something sacred in ancient times. For bound up with this was the ancient perception of a certain group soul. People who not only felt themselves to be related by blood, but knew themselves to be so, did not yet have an ego as we do today. Wherever we look, we find everywhere in ancient times connections in which the individual human being did not feel himself to be such an I as human beings do today, but rather as existing solely in the group, in a community that represented the community of blood. What does tribal soul, national soul, or folk soul mean to human beings today? Certainly, sometimes this national soul, for example, or the soul of a people, is the object of great enthusiasm, but we can say that this soul of a people, this tribal soul, does not arise in relation to the individual human “I.” This may be a harsh statement, but it is true. For it is so that human beings once did not say “I” to themselves, but to the group of their tribe or people. This feeling of group soulfulness still lives in Arjuna as he sees the fratricidal battle raging around him. He does not yet understand how to say “I” to himself; he understands even better how to feel that group “I” that expressed itself in all those souls. That is why the battle raging around him is so horrible to him.

Let us put ourselves in Arjuna's soul so that we feel that something like horror lives there, that something wants to murder something that belongs together, a soul that feels what lives in all souls and what wants to kill itself. Let us put ourselves in Arjuna's soul, which feels how brothers are killing each other, want to tear each other to pieces, which feels as if a soul were feeling that what belongs to it, the body, is being torn to pieces. This is how Arjuna's soul feels, as if the limbs of a body were fighting, the heart against the head, the left hand against the right hand. Let us consider that this soul faces the battle that is about to take place in such a way that this battle appears to be a battle against its own physicality. Let us consider what this soul feels at the moment when it lowers its bow, when the battle between the brothers appears to it like a battle between the right and left hands of a human being: then we feel the mood at the beginning of the Bhagavad Gita, then we feel—I must say something here that again seems, but only seems, paradoxical, grotesque, that seems to contradict all sacred feelings—Arjuna stands there, not yet fully understanding the individual self, but understanding the old, the group self, which appears to him so unnatural in battle. In this mood, Krishna, the great teacher, appears before him. We must say it once, with the greatest art, with the most incomparable art, Krishna, the holy God, stands before Arjuna, teaching Arjuna what man must unlearn and must want to unlearn if he wants to ascend in the right sense in his evolution.

Let us continue to follow Krishna and his teaching. What does he actually say? What is he talking about? About me and me and me and always only about me. I am in the earth, I am in the water, I am in the air, I am in the fire, I am in all souls, I am in all expressions of life, even in the sacred Aum, I am the wind that blows through the forests, I am the most precious among the mountains, I am the most precious among the rivers, I am the most precious among humans, I am the ancient seer Kapila among the blessed. Truly, this Krishna says nothing less than: I recognize nothing but myself, and I accept the world only insofar as it is me. Me and me and me and nothing else speaks from the teachings of Krishna.

Let us make it clear to ourselves, in all bluntness, how Arjuna stands there, not yet understanding the self, but supposed to understand it, and how God, like a comprehensive, universal cosmic egoist, confronts him, accepting nothing but himself, and even demanding that others accept nothing but him, yes, that in everything that is earth, water, fire, air, in everything that lives on earth, yes, in everything that lives in the three worlds, one sees nothing else but him.

It strikes us as strange that someone who cannot yet understand the self is confronted with a being who claims to be recognized only as his own self. Anyone who wants to look at this in the light of truth should read the Bhagavad Gita and try to answer the question: with what words can one describe what Krishna says about himself and what he demands that we recognize? Universal egoism is what speaks through Krishna. And so it seems to us that from the sublime Gita, the refrain resounds everywhere to our spiritual ear: Only when you, human beings, recognize my all-encompassing egoism, will there be salvation for you.

The greatest achievements of human spiritual life always present us with riddles; we can only see them in their true light when we also acknowledge and recognize that they pose great riddles for us. Truly, a difficult riddle seems to be posed for us when we are now faced with the task of understanding what we can call a most sublime teaching, connected with the proclamation of universal egoism. It is not through logic, but in the great contradictions of life that the occult mysteries are revealed to us. It will be our task to go beyond the strange things within Maya and arrive at the truth, so that we may recognize what it is that we rightly call universal egoism when we speak within Maya. Out of Maya, we must pass through this riddle into reality, into the light of truth. How this will happen, how we will pass beyond this into reality, will be the task of our next lectures.